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Tag Archives: Critical Theory
Great Zines? Bad Zines? In Praise of the Zine-Trading Economy – by Olchar E. Lindsann
From the Pamphlet: No, all zines are not equal – just as no two individuals are equal. Yet in a healthy micropress culture, “good” & “bad” publications are thus definitively and structurally relativized; such judgements remain personal, or explicitly bound to affinity (including an affinity for well-crafted zines … Continue reading
We [Trade/Gift/Copy] Banned Books: An Underground Publisher’s Thoughts on the Banned Books Industry – by Olchar E. Lindsann
From the Pamphlet: It is not, in the U.S., Europe, and their global empires, the supposed agents of Democracy who are in charge of banning books; it is the agents of Capitalism. And indeed most of those who vocally oppose … Continue reading
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Tagged Critical Theory, Olchar E. Lindsann, underground publishing, zine
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Toward the Community of Activated Obsessions – by Olchar E. Lindsann
From the text: “Our friendships, collaborations, and conversations should not be founded on our similarities, while our divergences, our individual obsessions and eccentricities are mere garnishes; rather, we should take find our greatest joy and inspiration from playing with those … Continue reading
Jim Leftwich – The Blue Seam
An alchemical text not only in its matter but in its process and effects – an experimental tincture of hermeticism, lettristic and visual and asemic poetry, relics, theory, quotation, correspondence/s, trashpo, & history in putrefaction, by one of the most … Continue reading
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Tagged Critical Theory, Hermeticism, Jim Leftwich, Literary Theory, occultism, Poetics, Poetry, Trashpo
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Olchar E. Lindsann TLP 5-Pack
5 Tacky Little Pamphlets by mOnocle-Lash editor Olchar E. Lindsann for $1.25: The Camilong Gnarbite, & Other Strapulent Uritations (Dec. 2019): Little poems generated from pwpermds by Geof Huth & mIEKAL aND in Textistence (2008, Xerox Sutra Editions) Flaming Mess: … Continue reading
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Tagged avant-garde, avant-garde poetry, avantgarde, Collaborative collage, collaborative writing, Collage, Communism, counterculture, Critical Theory, experimental poetry, Feminism, Geof Huth, Karl Marx, Marx, Michael Dec, mIEKAL aND, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, Poetic Hacks, Poetry, Political Discourse, Post-Neo, Post-NeoAbsurdism, Radical Politics, socialism, TLP, Utopia, Utopian Socialism, Verse, Warren Fry, William Repass
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NOBODY GO ANYWHERE: STAY HOME MAKE ART –– by the SPART Action Group & New Jersey Post-Neo
Polemic pamphlet of two complimentary manifestos by SPART (Northern Ireland) and the NJ Post-Neo contingent as part of the Nobody Go Anywhere campaign; distributed produced simultaneously by SPART in Northern Ireland. Technology may be getting faster but human nature is as … Continue reading
Useless Preface to a Romantasemic Writing –– by Jim Leftwich, Théophile Gautier, & Olchar E. Lindsann
A mash-up by Olchar Lindsann of two manifestos protesting the hegemony of the idea of Utility, written a century and a half apart: Théophile Gautier’s 1835 Preface to Mlle. de Maupin, and Jim Leftwich’s 2001 Useless Writing manifesto. ” useful … Continue reading
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Tagged collaborative writing, Critical Theory, French Romanticism, Gautier, Jim Leftwich, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Poetic Hacks, Political Discourse, Posthumous Collaboration, prose poetry, radical historiography, Radical Politics, Romanticism, Théophile Gautier
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Cheating Art History: Strategies in the Fight Against Modernism –– by Olchar E. Lindsann
Polemic tract outlining the necessity for a self-aware and structural resistance on the part of ethically motivated communities to the dominant ‘artistic’ commercial AND discursive/theoretical infrastructures. First published with minor variations in Synapse 1. 10 pgs on folded 8.5”x11”. A.Da. 91. (2007 Anti-Vulgar)$0.75 + … Continue reading
Toward a Breathing Text: The Art of Madness –– by Olchar E. Lindsann
Early Polemic tract of Lindsann’s. “WHAT LITERARY, PLASTIC, OR MUSICAL FORM IS AS RIPE FOR CREATIVE, WILLFUL, MANIPULATION AS THE HUMAN MIND? . . . WE MUST WRITE OUR OWN MINDS LIKE WE WRITE POEMS. . . LET THE CREATIVE … Continue reading
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Tagged Chaos Magic, Critical Theory, Hermeticism, Literary Theory, Olchar E. Lindsann, Olchar Lindsann
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Dartington, A Eulogy: An Open Letter on Community, Pedagogy, History, and the Life and Death of Utopian Institutions –– by Olchar E. Lindsann
Part of the utopian community founded in Totnes, England in 1926, Dartington College of Arts was for many decades a defining force in the development and sustenance of ethically and communally based creative activity, experimental pedagogy, contextual and site-specific work, … Continue reading
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Tagged British Post-NeoAbsurdism, counterculture, Critical Theory, Dartington, Dartington College of Arts, Education, Historiography, History of Gentrification, Olchar E. Lindsann, Olchar Lindsann, Pedagogy, Performance Writing, progressive education, radical historiography, radical history, radical pedagogy, Radical Politics, Utopia
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