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Tag Archives: British Post-NeoAbsurdism
Fast Sedan Nellson –– Wordsworth’s “The Prelude” translated into Even-More-Boring-and-Trite; Book 6
The absurd magnum opus of the British Post-NeoAbsurdist Fast Sedan Nellson, self-proclaimed ‘Prince of Translators’: a gleefully spiteful, blatantly unfair, copiously annotated translation of Wordsworth’s 230-page autobiographical poem into an obscure dialect of English, ‘Even-More-Boring-and-Trite’. (Wordsworth’s original poem, explains Nellson, … Continue reading
The In-Appropriated Press #3: AfterMAF / Broken Computer Issue
––ed. Olchar E. Lindsann This issue features work by Wilheim Katastrof, Olchar E. Lindsann, Musicmaster, Megan Blafas-Chriss, John M. Bennett, Joe Abel, Jim Leftwich, Fast Sedan Nellson, C. Mehrl Bennett, Amy Oliver, and Alijah Webb, and includes Roanoke Anti-News, Anti-Adverts … Continue reading
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Tagged AfterMAF, Alijah Webb, Amy Oliver, Art Rat, Art Rat Studios, avant-garde poetry, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Eternal Network, experimental poetry, Fast Sedan Nellson, Jim Leftwich, Joe Abel, John M. Bennett, Journal, Mail Art, Megan Blafas-Chriss, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Tom Cassidy, Verse, visual poetry, Wilheim Katastrof, zine
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The In-Appropriated Press #5: “Thinking everything’s gone to shit ain’t just for Anarchists anymore!” Issue
––ed. Olchar E. Lindsann This issue features work by Amy Oliver, C. Mehrl Bennett, Diane Keys, John M. Bennett, Jim Leftwich, Olchar E. Lindsann, Musicmaster, Stacey Allam, & Warren Fry. 8 pgs on folded 11”x17”. April, A.Da. 101.$1.00 + 0.50 … Continue reading
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Tagged Amy Oliver, Art Rat, Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Diane Keys, experimental poetry, Jim Leftwich, John M. Bennett, Journal, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Staey Allam, Tom Cassidy, Verse, visual poetry, Warren Fry, zine
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In-Appropriated Press #6: “Look Mom! I Shot the Albatross!” Issue
––ed. Olchar E. Lindsann This issue features work by Lexoe, Wilheim Katastrof, Jim Leftwich, Joe Abel, Olchar E. Lindsann, Musicmaster, Sian Baxter, Amy Oliver, Bailey Bowers, William Repass, Juanita Chriss, Megan Blafas-Chriss, John M. Bennett, C. Mehrl Bennett, Evan Damerow, … Continue reading
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Tagged Amy Oliver, Art Rat, Art Rat Studios, avant-garde poetry, Bailey Bowers, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Eternal Network, Evan Damerow, experimental poetry, Jim Leftwich, Joe Abel, John M. Bennett, Journal, Juanita Chriss, Lexoe, Mail Art, Megan Blafas-Chriss, Musicmaster, Olchar E. Lindsann, Otherstream, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Sian Baxter, Tom Cassidy, Verse, visual poetry, Warren Fry, Wilheim Katastrof, William Repass, zine
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In-Appropriated Press #14: Changing the Way America Mows
––ed. Olchar E. Lindsann This issue features work by Steve Dalachinsky, John M. Bennett, Olchar E. Lindsann, Michael Dec, C. Mehrl Bennett, Musicmaster, Wilheim Katastrof, Joe Abel, Tim Yaddow, William Repass, Jim Leftwich, Ivan Argüelles, Scott MacLeod, Wayne Llewelyn, Mrs. … Continue reading
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Tagged Art Rat Studios, avant-garde poetry, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Chance McQuibbles, Collaborative Art, Collaborative collage, collaborative writing, Collage, experimental poetry, Ivan Argüelles, Jim Leftwich, Joe Abel, John M. Bennett, Journal, Michael Dec, Mrs. A.J. Petrie, Musicmaster, Nonsense, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, Performance Documentation, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, Scott MacLeod, Steve Dalachinsky, Tim Yaddow, visual poetry, Wayne Llewelyn, Wilheim Katastrof, William Repass, zine history
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In-Appropriated Press #15: A Conjuring Trick With Nuts
–ed. Olchar E. Lindsann This issue kicks off the zine’s new smaller, squarer page-size and cover colour!Featuring work by Brian Counihan, Michael Dec, Wayne Llewelyn, Reid Wood, Jim Leftwich, C. Mehrl Bennett, Musicmaster, Wilheim Katastrof, Volodymyr Bilyk, Jack Foley, Alexia … Continue reading
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Tagged Aaron Andrews, Air Mattress Armada, Alexia Bassett Carter, Art Rat, Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, b.b. Grimm, bb Grimm, bela b Grimm, Binx, Binx the Kitten, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Crank Sturgeon, Drawing, experimental poetry, Jack Foley, jEZabEL dITCh, Jim Leftwich, John Crouse, John M. Bennett, Mail Art, Michael Dec, mOBiUs dITcH, Musicmaster, Noah Trout, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, Posthumous Collaboration, prose poetry, Reid Wood, Roanoke, Roanoke Post-NeoAbsurdism, Steve Dalachinsky, Tom Cassidy, Vispo, visual poetry, Volodymyr Bilyk, Wayne Llewelyn, Wilheim Katastrof, zine
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Dartington, A Eulogy: An Open Letter on Community, Pedagogy, History, and the Life and Death of Utopian Institutions –– by Olchar E. Lindsann
Part of the utopian community founded in Totnes, England in 1926, Dartington College of Arts was for many decades a defining force in the development and sustenance of ethically and communally based creative activity, experimental pedagogy, contextual and site-specific work, … Continue reading
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Tagged British Post-NeoAbsurdism, counterculture, Critical Theory, Dartington, Dartington College of Arts, Education, Historiography, History of Gentrification, Olchar E. Lindsann, Olchar Lindsann, Pedagogy, Performance Writing, progressive education, radical historiography, radical history, radical pedagogy, Radical Politics, Utopia
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A Post-Neo Poetic Annoyance Kit (Performance Scores)
(sample cover) – by Olchar Lindsann, Wilheim Katastrof, David Beris Edwards, Warren Fry, Edwin Birch, & Imogene Engine. Prepare to make dreadfully annoying Noises, sometimes in intricate unison. An anthology of classic Post-NeoAbsurdist performance scores for one, two, and three … Continue reading
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Tagged Anthology, avant-garde poetry, British Post-NeoAbsurdism, David Beris Edwards, Edwin Birch, experimental poetry, Imogene Engine, New Jersey Post-NeoAbsurdism, Olchar E. Lindsann, Olchar Lindsann, Performance Poetry, Performance Scores, Phonetic Poetry, Poetry, Post-Neo, Post-NeoAbsurdism, Sound Poetry, Warren Fry, Wilheim Katastrof
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Fast Sedan Nellson –– Wordsworth’s “The Prelude” translated into Even-More-Boring-and-Trite; Book 4
The absurd magnum opus of the British Post-NeoAbsurdist Fast Sedan Nellson, self-proclaimed ‘Prince of Translators’: a gleefully spiteful, blatantly unfair, copiously annotated translation of Wordsworth’s 230-page autobiographical poem into an obscure dialect of English, ‘Even-More-Boring-and-Trite’. (Wordsworth’s original poem, explains Nellson, … Continue reading
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Tagged British Comedy, British Post-NeoAbsurdism, British Romanticism, Down with Wordsworth, English Romanticism, Experimental Translation, Fast Sedan Nellson, Literary axe-job, literary hatchet-job, parody, PNA, Poetics, Poetry, Post-Neo, Post-NeoAbsurdism, Posthumous Collaboration, Romanticism, Satire, William Wordsworth, William Wordsworth sucks, Wordsworth, zine
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Fast Sedan Nellson –– Wordsworth’s “The Prelude” translated into Even-More-Boring-and-Trite; Book 3
From the self-proclaimed ‘Prince of Translators’, this is the third volume in Nellson’s copiously annotated translation of Wordsworth’s 230-page biographical poem into an obscure dialect of English, ‘Even-More-Boring-and-Trite’. (Wordsworth’s original poem is in a related dialect, ‘Boring-and-Trite’.) To be issued … Continue reading
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Tagged British Comedy, British Post-NeoAbsurdism, British Romanticism, Down with Wordsworth, Experimental Translation, Fast Sedan Nellson, Literary axe-job, parody, Poetics, Poetry, Post-Neo, Post-NeoAbsurdism, Satire, William Wordsworth, William Wordsworth sucks, Wordsworth
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mOnocle-Lash Anti-Press 