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Tag Archives: Otherstream
October Sequence: 1-51 – by Sheila E. Murphy
“This poem, this act of fragmented writing, isn’t located anywhere particular, but within itself. A scrolling well-crafted stream of consciousness. It accumulates and disperses, accumulates and disperses then bifurcates and accumulates further. Surprise. You can juxtapose anything with anything else … Continue reading
in-Appropriated Press: Shitty Remake Edition
–ed. Olchar E. Lindsann This issue features work by bela b. Grimm, C. Mehrl Bennett, Chormaig Erodisi, Ebenezer ‘Ben’ Rand, Edwin Birch, Fast Sedan Nellson, Jim Leftwich, Joe Abel, John M. Bennett, Jonah Woodstock, Jules Vasylenko, Karen Eliot, Kim Blafas, … Continue reading
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Tagged Art Rat, Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, bela b Grimm, C. Mehrl Bennett, Catherine Mehrl Bennett, Chormaig Erodisi, Collaborative Art, Collaborative collage, collaborative writing, Collage, Edwin Birch, Evan Damerow, experimental poetry, Fast Sedan Nellson, Jim Leftwich, Joe Abel, John M. Bennett, John Thursday, Jonah Woodstock, Journal, Jules Vasylenko, Karen Eliot, Kim Blafas, Megan Blafas-Chriss, Monty Cantsin, Mr. Thursday, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Philosophy Inc, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, Ralph Eaton, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Swade Best, Tim Yaddow, Vispo, visual poetry, Warren Fry, zine
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in-Appropriated Press #2: “Whoah, there IS another issue, after all!” Issue
–– ed. Olchar E. Lindsann This issue features work by bela b. Grimm, C. Mehrl Bennett, Chormaig Erodisi, Edwin Birch, Jim Leftwich, Joe Abel, John M. Bennett, Jonah Woodstock, Jules Vasylenko, Karen Eliot, Mr. Thursday, Monty Cantsin, Olchar Lindsann, Ralph … Continue reading
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Tagged Amy Oliver, Anti-Business Lounge, Art Rat, Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, bela b Grimm, British Romanticism, C. Mehrl Bennett, Catherine Mehrl Bennett, Chormaig Erodisi, Collaborative Art, Collaborative collage, collaborative writing, Collage, Edwin Birch, experimental poetry, Jesse Herdman, Jim Leftwich, Joe Abel, John M. Bennett, John Thursday, Jonah Woodstock, Journal, Jules Vasylenko, Karen Eliot, Monty Cantsin, Mr. Thursday, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Philosophy Inc, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Ralph Eaton, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Swade Best, Verse, Vispo, visual poetry, Wilheim Katastrof, William Repass, zine
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In-Appropriated Press #4: Don’t Replace, Resurface
––ed. Olchar E. Lindsann This issue features work by Vizma Bruns, Reid Wood, Diane Keys, Catherine Mehrl Bennett, Jonah Woodstock, Michael Dec, Wilheim Katastrof, Jim Leftwich, Evan Damerow, Edwin Birch, John M. Bennett, Olchar E. Lindsann, Matt Ames, & Musicmaster, … Continue reading
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Tagged AfterMAF, Art Rat, Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Diane Keys, Edwin Birch, Evan Damerow, experimental poetry, Jim Leftwich, John M. Bennett, Jonah Woodstock, Journal, Matt Ames, Michael Dec, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Reid Wood, Reviews, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Tom Cassidy, Verse, Vispo, visual art, visual poetry, Vizma Bruns, Wilheim Katastrof, zine
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In-Appropriated Press #6: “Look Mom! I Shot the Albatross!” Issue
––ed. Olchar E. Lindsann This issue features work by Lexoe, Wilheim Katastrof, Jim Leftwich, Joe Abel, Olchar E. Lindsann, Musicmaster, Sian Baxter, Amy Oliver, Bailey Bowers, William Repass, Juanita Chriss, Megan Blafas-Chriss, John M. Bennett, C. Mehrl Bennett, Evan Damerow, … Continue reading
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Tagged Amy Oliver, Art Rat, Art Rat Studios, avant-garde poetry, Bailey Bowers, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Eternal Network, Evan Damerow, experimental poetry, Jim Leftwich, Joe Abel, John M. Bennett, Journal, Juanita Chriss, Lexoe, Mail Art, Megan Blafas-Chriss, Musicmaster, Olchar E. Lindsann, Otherstream, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Sian Baxter, Tom Cassidy, Verse, visual poetry, Warren Fry, Wilheim Katastrof, William Repass, zine
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THE IN-APPROPRIATED PRESS #9: The Impeccable Pig
––ed. Olchar E. Lindsann This issue features work by Musicmaster, Jack Foley, Bailey Bowers, John M. Bennett, Jim Leftwich, Neural Necrosis, Wilheim Katastrof, C. Mehrl Bennett, William Repass, Olchar E. Lindsann, and Evan Damerow, and Miroslav Samic, plus (anti-)documentation of … Continue reading
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Tagged Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, C. Mehrl Bennett, Catherine Mehrl Bennett, Charlottesville Protest, Charlottesville Rally, Collaborative Art, Collaborative collage, collaborative writing, Collage, Decide Today, Eternal Network, Evan Damerow, experimental poetry, Id-M Theft Able, In the Sea, Journal, Mail Art, Miroslav Samic, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Reviews, Richmond Zine Fest, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Tater Fraterabo, Tom Cassidy, visual poetry, Wilheim Katastrof, William Repass, zine
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Useless Preface to a Romantasemic Writing –– by Jim Leftwich, Théophile Gautier, & Olchar E. Lindsann
A mash-up by Olchar Lindsann of two manifestos protesting the hegemony of the idea of Utility, written a century and a half apart: Théophile Gautier’s 1835 Preface to Mlle. de Maupin, and Jim Leftwich’s 2001 Useless Writing manifesto. ” useful … Continue reading
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Tagged collaborative writing, Critical Theory, French Romanticism, Gautier, Jim Leftwich, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Poetic Hacks, Political Discourse, Posthumous Collaboration, prose poetry, radical historiography, Radical Politics, Romanticism, Théophile Gautier
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Profanity Poems –– by Olchar E. Lindsann
“I turn the cover onto the chapbook’s first poem: At this point, if this publication were longer than the slim chap that it is, I’d have shut it down and moved on to the next publication calling itself poetry. I’d … Continue reading
guage War –– by Olchar E. Lindsann
Poems by Lindsann in conversation with the work of avant-writers John M. Bennett, Jim Leftwich, and Ivan Argüelles (plus some others)–hacking up, integrating, responding or referencing their work. In this celebration of communal language and textual play, every level of … Continue reading
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Tagged avant-garde, avant-garde poetry, avantgarde, experimental poetry, Ivan Argüelles, Jim Leftwich, John M. Bennett, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, Roanoke Post-NeoAbsurdism, Verse
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Meat Risk –– by Olchar E. Lindsann
Seven short poems written between 2006-2016: “Meat Tattoo” / “Hiss” / “Present” / “1812” / “Baby Code (for juanita Chriss)” / “whis key rebellion” / “risk cumberbun” 6pgs. on folded 8.5″x11″. May, A.Da. 100. (2016 Anti-Vulgar)$0.50 + 0.50 s/h or … Continue reading
mOnocle-Lash Anti-Press 