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Tag Archives: Wilheim Katastrof
The In-Appropriated Press #3: AfterMAF / Broken Computer Issue
––ed. Olchar E. Lindsann This issue features work by Wilheim Katastrof, Olchar E. Lindsann, Musicmaster, Megan Blafas-Chriss, John M. Bennett, Joe Abel, Jim Leftwich, Fast Sedan Nellson, C. Mehrl Bennett, Amy Oliver, and Alijah Webb, and includes Roanoke Anti-News, Anti-Adverts … Continue reading
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Tagged AfterMAF, Alijah Webb, Amy Oliver, Art Rat, Art Rat Studios, avant-garde poetry, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Eternal Network, experimental poetry, Fast Sedan Nellson, Jim Leftwich, Joe Abel, John M. Bennett, Journal, Mail Art, Megan Blafas-Chriss, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Tom Cassidy, Verse, visual poetry, Wilheim Katastrof, zine
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in-Appropriated Press #2: “Whoah, there IS another issue, after all!” Issue
–– ed. Olchar E. Lindsann This issue features work by bela b. Grimm, C. Mehrl Bennett, Chormaig Erodisi, Edwin Birch, Jim Leftwich, Joe Abel, John M. Bennett, Jonah Woodstock, Jules Vasylenko, Karen Eliot, Mr. Thursday, Monty Cantsin, Olchar Lindsann, Ralph … Continue reading
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Tagged Amy Oliver, Anti-Business Lounge, Art Rat, Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, bela b Grimm, British Romanticism, C. Mehrl Bennett, Catherine Mehrl Bennett, Chormaig Erodisi, Collaborative Art, Collaborative collage, collaborative writing, Collage, Edwin Birch, experimental poetry, Jesse Herdman, Jim Leftwich, Joe Abel, John M. Bennett, John Thursday, Jonah Woodstock, Journal, Jules Vasylenko, Karen Eliot, Monty Cantsin, Mr. Thursday, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Philosophy Inc, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Ralph Eaton, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Swade Best, Verse, Vispo, visual poetry, Wilheim Katastrof, William Repass, zine
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In-Appropriated Press #4: Don’t Replace, Resurface
––ed. Olchar E. Lindsann This issue features work by Vizma Bruns, Reid Wood, Diane Keys, Catherine Mehrl Bennett, Jonah Woodstock, Michael Dec, Wilheim Katastrof, Jim Leftwich, Evan Damerow, Edwin Birch, John M. Bennett, Olchar E. Lindsann, Matt Ames, & Musicmaster, … Continue reading
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Tagged AfterMAF, Art Rat, Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Diane Keys, Edwin Birch, Evan Damerow, experimental poetry, Jim Leftwich, John M. Bennett, Jonah Woodstock, Journal, Matt Ames, Michael Dec, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Reid Wood, Reviews, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Tom Cassidy, Verse, Vispo, visual art, visual poetry, Vizma Bruns, Wilheim Katastrof, zine
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In-Appropriated Press #6: “Look Mom! I Shot the Albatross!” Issue
––ed. Olchar E. Lindsann This issue features work by Lexoe, Wilheim Katastrof, Jim Leftwich, Joe Abel, Olchar E. Lindsann, Musicmaster, Sian Baxter, Amy Oliver, Bailey Bowers, William Repass, Juanita Chriss, Megan Blafas-Chriss, John M. Bennett, C. Mehrl Bennett, Evan Damerow, … Continue reading
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Tagged Amy Oliver, Art Rat, Art Rat Studios, avant-garde poetry, Bailey Bowers, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, Eternal Network, Evan Damerow, experimental poetry, Jim Leftwich, Joe Abel, John M. Bennett, Journal, Juanita Chriss, Lexoe, Mail Art, Megan Blafas-Chriss, Musicmaster, Olchar E. Lindsann, Otherstream, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Sian Baxter, Tom Cassidy, Verse, visual poetry, Warren Fry, Wilheim Katastrof, William Repass, zine
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In-Appropriated Press #7: AfterMAF 2017 Issue
–– ed. Olchar E. Lindsann This slim issue features was also the programme for the 3-day avant-garde AfterMAF Festival in Roanoke, Virginia. With work by John M. Bennett, Bradley Chriss, John Crouse, Wilheim Katastrof, Jim Leftwich, Abraham Lincoln, Olchar E. … Continue reading
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Tagged Abraham Lincoln, AfterMAF, Art Rat, Art Rat Studios, avant-garde poetry, Bradley Chriss, C. Mehrl Bennett, Catherine Mehrl Bennett, Collaborative Art, Collaborative collage, collaborative writing, Collage, event companion, experimental poetry, Jim Leftwich, John Crouse, John M. Bennett, Journal, Mallarmé, Mallarme, Nonsense, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Stéphane Mallarmé, Stephane Mallarme, Verse, visual poetry, Wilheim Katastrof, zine
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In-Appropriated Press #8: “Dogs on a Mission” Issue
––ed. Olchar E. Lindsann This issue features work by William Repass, Sir Chad Niral-Nelson, Musicmaster, Olchar E. Lindsann, Jim Leftwich, Wilheim Katastrof, Kaitlin Heath, bela b. Grimm, Warren Fry, Laura Jane Evert, Bradley Chriss, Megan Blafas-Chriss, John M. Bennett, and … Continue reading
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Tagged AfterMAF, Art Rat, Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, bela b Grimm, Bradley Chriss, Chad Niral-Nelson, Collaborative Art, Collaborative collage, collaborative writing, Collage, Eternal Network, experimental poetry, Jim Leftwich, John M. Bennett, Journal, Kaitlin Heath, Laura Jane Evert, Mail Art, Megan Blafas-Chriss, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, Performance Documentation, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Sir Chad Niral-Nelson, Tom Cassidy, Verse, visual poetry, Warren Fry, Wilheim Katastrof, William Repass, zine
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THE IN-APPROPRIATED PRESS #9: The Impeccable Pig
––ed. Olchar E. Lindsann This issue features work by Musicmaster, Jack Foley, Bailey Bowers, John M. Bennett, Jim Leftwich, Neural Necrosis, Wilheim Katastrof, C. Mehrl Bennett, William Repass, Olchar E. Lindsann, and Evan Damerow, and Miroslav Samic, plus (anti-)documentation of … Continue reading
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Tagged Art Rat Studios, avant-garde, avant-garde poetry, avantgarde, C. Mehrl Bennett, Catherine Mehrl Bennett, Charlottesville Protest, Charlottesville Rally, Collaborative Art, Collaborative collage, collaborative writing, Collage, Decide Today, Eternal Network, Evan Damerow, experimental poetry, Id-M Theft Able, In the Sea, Journal, Mail Art, Miroslav Samic, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Reviews, Richmond Zine Fest, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Tater Fraterabo, Tom Cassidy, visual poetry, Wilheim Katastrof, William Repass, zine
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In-Appropriated Press #11: A Decade of Change
––ed. Olchar E. Lindsann This issue features work by Musicmaster, Jack Foley, Warren Fry, John M. Bennett, Steve Dalachinsky, Jim Leftwich, Megan Blafas-Chriss, Diane Keys, Wilheim Katastrof, C. Mehrl Bennett, Visma Bruns, Olchar E. Lindsann, Juanita Chriss, Ivan Argüelles, Neural … Continue reading
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Tagged Art Rat Studios, avant-garde poetry, Bill Blake, C. Mehrl Bennett, Catherine Mehrl Bennett, Célestin Nanteuil, Celestin Nanteuil, Diane Keys, experimental poetry, Ivan Argüelles, Ivan Arguelles, Jack Foley, Jim Leftwich, John M. Bennett, Journal, Juanita Chriss, K-Marx, Megan Blafas-Chriss, Musicmaster, Neural Necrosis, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Reviews, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Steve Dalachinsky, Tom Cassidy, Verse, Visma Bruns, visual poetry, Warren Fry, Wilheim Katastrof, William Blake, zine
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In-Appropriated Press #12: AfterMAF 2018 Issue
––ed. Olchar E. Lindsann This issue features work by Reid Wood, Musicmaster, Jack Foley, John M. Bennett, Steve Dalachinsky, Jim Leftwich, Shelly Smith, Chloe Harnett-Hargrove, Wilheim Katastrof, Olchar E. Lindsann, Ivan Argüelles, Stangroom, Mim Golub Scalin, Remedios Varo, and anonymous … Continue reading
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Tagged AfterMAF, Art Rat Studios, avant-garde poetry, Chloe Harnett-Hargrove, experimental poetry, Ivan Argüelles, Ivan Arguelles, Jack Foley, Jim Leftwich, John M. Bennett, Journal, Mim Golub Scalin, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Reid Wood, Remedios Varo, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Shelly Smith, Stangroom, Steve Dalachinsky, Tom Cassidy, visual poetry, Wilheim Katastrof, zine
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In-Appropriated Press #14: Changing the Way America Mows
––ed. Olchar E. Lindsann This issue features work by Steve Dalachinsky, John M. Bennett, Olchar E. Lindsann, Michael Dec, C. Mehrl Bennett, Musicmaster, Wilheim Katastrof, Joe Abel, Tim Yaddow, William Repass, Jim Leftwich, Ivan Argüelles, Scott MacLeod, Wayne Llewelyn, Mrs. … Continue reading
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Tagged Art Rat Studios, avant-garde poetry, British Post-NeoAbsurdism, C. Mehrl Bennett, Catherine Mehrl Bennett, Chance McQuibbles, Collaborative Art, Collaborative collage, collaborative writing, Collage, experimental poetry, Ivan Argüelles, Jim Leftwich, Joe Abel, John M. Bennett, Journal, Michael Dec, Mrs. A.J. Petrie, Musicmaster, Nonsense, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, Performance Documentation, Poetic Hacks, Poetry, Post-Neo, Post-NeoAbsurdism, prose poetry, Roanoke, Roanoke Post-NeoAbsurdism, Scott MacLeod, Steve Dalachinsky, Tim Yaddow, visual poetry, Wayne Llewelyn, Wilheim Katastrof, William Repass, zine history
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