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Tag Archives: dead poets
Pierre Albert-Birot – Songs to Shout and Dance
Translated & w/Introduction by Olchar E. LindsannCover image by Léo Sauvage, 1919. Over a dozen poetic scores for 1, 2, and 3 voices, including a Nunist poetic drama, by the prolific French cubo-dadaist poet, theatre-maker, painter, publisher, and founder of … Continue reading
The in-Appropriated Press #10 (Two-Part Issue)
–ed. Olchar E. Lindsann NOTE: Two parts must be purchased separately. Part A Part A features work by Matt Ames, McKenna Beaman, C. Merhl Bennett, John M. Bennett, Megan Blafas-Chriss, Bradley Chriss, Juanita Chriss, Steve Dalachinsky, Jack Foley, Warren Fry, … Continue reading
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Tagged Art Rat Studios, avant-garde poetry, Bradley Chriss, C. Mehrl Bennett, Catherine Mehrl Bennett, Célestin Nanteuil, César Vallejo, Celestin Nanteuil, Collaborative Art, Collaborative collage, collaborative writing, Collage, dead poets, experimental poetry, Jack Foley, Jim Leftwich, John M. Bennett, Jonah Woodstock, Journal, Juanita Chriss, Matt Ames, McKenna Beaman, Megan Blafas-Chriss, Musicmaster, Olchar E. Lindsann, Olchar Lindsann, Otherstream Poetry, Performance Documentation, PNA, Poetic Hacks, Poetry, Post-NeoAbsurdism, prose poetry, Rachel Braussen, Roanoke, Roanoke Post-NeoAbsurdism, roanoke va, Steve Dalachinsky, Tom Cassidy, visual poetry, Warren Fry, William Repass, zine
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Rêvenance, No. 5: Pipelets Under Attack!
–ed. Olchar E. Lindsann Rêvenance: A Zine of Hauntings From Underground Histories is the flagship journal of the Revenant Editions series, dedicated to the forgotten or untold histories of 19th Century avant-garde and other countercultures. It includes essays, translations, and … Continue reading
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Tagged Anti-Concierge, Arthur Verneuil, avant-garde history, Bohemia, Bohemianism, Bousingots, Bouzingo, Bouzingos, Célestin Nanteuil, Cham, Chat Noir, conciereges union, crime, dead poets, Drawing, Elizabeth Birdsall, Eugène Sue, Evadamism, Evadamists, Faustin Betbedder, French Romanticism, Frenetic Romanticism, Gustave Karr, Harriet Preston, Historiography, History of Gentrification, homophonic translation, Hydropathes, Incoherents, intellectual history, J.-C. Sailer, J.Grand-Carteret, Jeune-France, Jeunes-France, Jeunes-Frances, John Everett Millais, Journal, literary history, Lithographs, Lithography, Mapah Ganneau, Marceline Desbordes-Valmore, Olchar E. Lindsann, Olchar Lindsann, Petit-Cénacle, Philothée O'Neddy, PhilotheeO'Neddy, Pipelet, Pipelets, Poetry, poverty, Radical Politics, Revenant Editions, Revolution, Romanticism, Sapeck, Satire, socialism, Syndicalism, The Incoherents, The Mapah, Transduction, underground publishing, Utopia, Utopian Socialism, zine, zine history
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Liberté, Vol. IV: 1865-1905 –– ed. Olchar E. Lindsann
The Liberté readers were prepared specially for use in the multidisciplinary course Liberté: France’s Impact on the Nineteenth Century, led by Olchar Lindsann & Brian Counihan at Community High School in Roanoke, Virginia. Comprised entirely of texts available in the public … Continue reading
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Tagged Adolphe Thiers, Anarchism, Anthology, avant-garde history, Émile Hennequin, Communism, dead poets, Deadent Literature, Decadence, Decadent Poetry, Dreyfus Affair, Emile Zola, Ephraïm Mikhaël, Ephraim Mikhael, Ernest A. Visitelly, Fourierism, Frances Willard, French Revolution, French Romanticism, Friedrich Engels, Gautier, Goëthe, Guy de Maupassant, Henri Beyle, Historiography, Hugo, intellectual history, Jean Richepin, Jean-Jacques Rousseau, Joris-Karl Huysmans, Judith Gautier, Jules Verne, Karl Marx, L.S. Bevington, Liberalism, literary history, Lonsdon Hale, Louis Bonaparte, Mallarmé, Mallarme, Marie Curie, Marx, Maupassant, Maurice Rollinat, Max Nordau, Napoleon III, Naturalism, Nihilism, Octave Mirbeau, Olchar E. Lindsann, Olchar Lindsann, Paul Déroulède, Pierre-Joseph Proudhon, Pietr Kropotkin, Political Discourse, Prosper Lissagaray, Radical Politics, Remy de Gourmont, Revolution, Robert Sherard, Romanticism, socialism, Stéphane Mallarmé, Stephane Mallarme, Symbolism, Symbolist Literature, Symbolist Movement, Symbolist Poetry, Symbolists, Syndicalism, Théophile Gautier, William Eihoff, William J. Robertson
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Forgotten Avant-Gardist TLP #3: Two Poems by Alphonse Brot, translated & dedicated by Olchar Lindsann
Brot, today one of the most obscure co-founders of the Bouzingo group, is the first person on record to call himself an adherent to the “avant-garde” in the modern sense, in an 1829 Preface. The term had been coined a … Continue reading
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Tagged 19th Century Avant-Garde, Alphonse Brot, avant-garde history, Bousingots, Bouzingo, Bouzingos, dead poets, French Romanticism, Jeune-France, Jeunes-France, Jeunes-Frances, Performance Scores, Petit-Cénacle, Poetry, Revenant Editions, Romanticism, Tacky Little Pamphlet, Tacky Little Portrait, TLP, Verse
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Rêvenance, No. 3
–ed. Olchar E. Lindsann Rêvenance: A Zine of Hauntings From Underground Histories is the flagship journal of the Revenant Editions series, dedicated to the forgotten or untold histories of 19th Century avant-garde and other countercultures. It includes essays, translations, and … Continue reading
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Tagged 19th Century Avant-Garde, Achille Devéria, Agnes Lee, Alboize de Pujol, Alphonse Allais, Amable Tastu, Amateur Press, Art Rat Studios, Asemia, Asemic Writing, Auguste Maquet, Augustus Mac-Keat, avant-garde history, Baudelaire, Blasphemy, Bohemia, Bohemianism, Bousingots, Bouzingo, Bouzingos, British Romanticism, Charles Baudelaire, Charles Nodier, Chat Noir, Chronicle, constructed languages, correspondence, crime, Dartington, Dartington College of Arts, de Sade, dead poets, Decadence, Discipline and Punish, Education, English Romanticism, Experimental Translation, French Romanticism, Gautier, Gérard de Nerval, Gerard de Nerval, Gustave Karr, Historiography, homophonic translation, Hydropathes, Incoherents, intellectual history, Jeune-France, Jeunes-France, Jeunes-Frances, Jim Leftwich, John Thursday, Journal, Kohoutenberg Institute, Libertinism, literary history, Lithographs, Lithography, Madame Tastu, Marquis de Sade, Monte-Naken, Mr. Thursday, Olchar E. Lindsann, Olchar Lindsann, Parnassianism, Pedagogy, Performance, Performance Art, Performance Documentation, Performance Poetry, Petit-Cénacle, Petit-Cenacle, Philothée ONeddy, Philothee ONeddy, Poetics, Poetry, Prison System, progressive education, radical historiography, radical history, radical pedagogy, Radical Politics, Retorico Unentesi, Revenant Editions, Roanoke, Roanoke Post-NeoAbsurdism, Romanticism, Sam Richards, Satire, Théophile Dondey, Théophile Gautier, The Incoherents, Theophile Dondey, Theophile Gautier, Thomas Hood, Transduction, underground publishing, Utopia, Washington, zine, zine history
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Rêvenance, No. 2
–ed. Olchar E. Lindsann Rêvenance: A Zine of Hauntings From Underground Histories is the flagship journal of the Revenant Editions series, dedicated to the forgotten or untold histories of 19th Century avant-garde and other countercultures. It includes essays, translations, and … Continue reading
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Tagged abolitionism, Albert Sérieys, Alphonse Allais, Anti-Racism, Arthur Cravan, Asemia, Asemic Writing, avant-garde history, black composer, black musician, Black Musicians, Bohême Doyenné, Bohemia, Bohemianism, Bousingots, Bouzingo, Bouzingos, Casimir Malevich, Charles Nodier, Charles Whitehead, Charles-Henry Hirsch, Chat Noir, Chevalier de Saint-Georges, civil rights, collaborative writing, constructed languages, correspondence, crime, Critical Theory, Dada, dead poets, Decadence, Decadent Literature, Decadent Poetry, Desbordes-Valmore, Elizabeth Birdsall, Experimental Translation, Feminism, Fernand Clerget, Francis Vielé-Griffin, French Revolution, French Romanticism, Frenetic Romanticism, Gleb Kolomiets, Gustave Karr, Historiography, History of Race, homophonic translation, Hydropathes, Incoherents, intellectual history, Ivan Gilkin, Jeunes-France, John Payne, Journal, Léon Gozlan, literary history, Marceline Desbordes-Valmore, Olchar E. Lindsann, Olchar Lindsann, Posthumous Collaboration, radical historiography, radical history, Radical Politics, Raymond E. André III, Revenant Editions, Roger de Beauvoir, Romanticism, Satire, Symbolist Literature, Symbolist Movement, The German Princess, The Incoherents, Transduction, writing games, zine
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Pif Paf Patapan! A Sampler of Phonetic Poetry From the 19th Century –– by Paul Verlaine, Théophile Gautier, Charles Nodier, & Francis Vielé-Griffin
ed. Olchar E. Lindsann Though Phonetic Poetry as a designated, focused practice was developed in the early years of the 20th Century, experiments with phonetics and non-semantic sound have been explored in the avant-garde since at least 1830. These are … Continue reading
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Tagged Anthology, Charles Nodier, dead poets, Deadent Literature, Decadent Poetry, Francis Vielé-Griffin, French Romanticism, Frenetic Romanticism, literary history, Olchar E. Lindsann, Olchar Lindsann, orthography, Parnasse Contemporain, Paul Verlaine, Performance Poetry, Performance Scores, Phonetic Poetry, Poetry, Revenant Editions, Romanticism, Sound Poetry, Symbolism, Symbolist Literature, Symbolist Movement, Symbolist Poetry, Symbolists, Théophile Gautier, Theophile Gautier, Volapük, Volapuk
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mOnocle-Lash Anti-Press 