Tag Archives: Decadence

Rêvenance 10

Posted on October 29, 2023 by monoclelash

Rêvenance: A Zine of Hauntings From Underground Histories is the flagship journal of the Revenant Editions series, dedicated to the forgotten or untold histories of 19th Century avant-garde and other countercultures. It includes essays, translations, and many experimental forms of historical … Continue reading →

Posted in Uncategorized | Tagged 'Pataphysics, Abdullah Cevdet, Alastair Brotchie, Alfred de Musset, Arthur Rimbaud, Bouzingo, Bouzingos, Bradley Lastname, Carl Alessi, constructed languages, Dance, Dance Hall culture, Decadence, Decadent Literature, Experimental Translation, Francis Vielé-Griffin, Frenetic Romanticism, Gavarni, Germaine Albert-Birot, Historiography, Jeunes-France, John Thomas Allen, Judith Gautier, Mário De Sa-Carneiro, Mélanie Waldor, Michael Helsem, Olchar E. Lindsann, Parnassianism, Pataphysics, Peter Lamborn Wilson, Petit-Cénacle, Petit-Cenacle, Petrus Borel, pilferingapples, Revenance, Revenant Editions, Revenant Revenant Camaraderie, Romanticism, Ron Sakolsky, Stuart Merrill, Su Tung-Po, Symbolism, Transduction | Leave a comment

Cemetery Tour – by John Thomas Allen

Posted on April 3, 2023 by monoclelash

“John Allen’s Cemetery Tour is an exploration, a study of haunting. This collection is ominous with illness. Death is not just death, it is transformed: “Death is a vocation, “death’s a traveling circus”. We are gifted so many surprising images … Continue reading →

Posted in Uncategorized | Tagged avant-garde poetry, Decadence, Otherstream Poetry, Poetry, weird fiction, Yellow Sign | Leave a comment

Nero, prince of Science – by Berthe Courrière

Posted on June 1, 2022 by monoclelash

– Translated by Olchar E. Lindsann The magus, Decadent movement organiser, & model Berthe de Courrière was a leader of the remarkably large French avant-occult community of the 1890s. On a trip to Belgium she was abducted and abused by … Continue reading →

Posted in Uncategorized | Tagged Berthe de Courriere, Decadence, Decadent Literature, Hermeticism, occultism, Psyhoanalysis | Leave a comment

Rêvenance #9

Posted on September 3, 2021 by monoclelash

Rêvenance: A Zine of Hauntings from Underground Histories. Issue 9–ed. Olchar E. Lindsann Main themes in this issue: Anti-Racism, The African Diaspora, The Druyfus Affair, French Decadence & Symbolism, Diverse Translation Approaches, Feminist Hermeticism, the Fin-de-siècle Blood-drinking craze, Paris Dada. … Continue reading →

Posted in Uncategorized | Tagged Aimé Césaire, Alfred Jarry, Alphonse Esquiros, Amy Oliver, Anarchism, Anti-Racism, Berthe de Courrière, Bradley Lastname, Dada, Dadaism, Decadence, Decadent Literature, Decadent Poetry, Experimental Translation, French Romanticism, Frenetic Romanticism, Hermeticism, Irène Hillel-Erlanger, Jack Foley, Jean Lorraine, John M. Bennett, Laurent Tailhade, Léon Valade, occultism, Olchar E. Lindsann, Paris Dada, Paschal Beverly Randolph, Pierre Albert-Birot, Raymond E. André III, Revenance, Revenant Editions, Reviews, Romanticism, Symbolism, Symbolist Literature, Symbolist Movement, Symbolist Poetry, Symbolists, Transduction | Leave a comment

Rêvenance Omnibus, Vol. I: Issues 1-5

Posted on December 7, 2019 by monoclelash

–ed. Olchar E. Lindsann Vol. I. Issues 1–5 of of Rêvenance reproduced exactly in a single perfect-bound volume, preceded by a new preface by the editor and a complete table of contents, and followed by a full index of all … Continue reading →

Posted in Uncategorized | Tagged 19th Century Avant-Garde, Achille Devéria, Agnes Lee, Albert Giraud, Albert Sérieys, Alboize de Pujol, Alexandre Privat d'Anglemont, Alphonse Allais, Amable Tastu, Amateur Press, Amateur Publishing, Anarchism, Anarchist Poetics, Anthology, Anti-Concierge, Arthur Cravan, Arthur Verneuil, Auguste Maquet, Augustus Mac-Keat, aux-lang, auxilliary languages, avant-garde, avant-garde history, avant-garde poetry, avantgarde, Émile Hennequin, Badouillards, Barthelémy Saint-Hillaire, Blasphemy, Bohême Doyenné, Bohemia, Bohemianism, Bousingots, Bouzingo, Bouzingos, Célestin Nanteuil, CClaude-Henri Saint-Simon, Charles Nodier, Charles Ramelet, Charles Whitehead, Chat Noir, Chevalier de Saint-Georges, Classicism, conciereges union, constructed languages, Critical Theory, Cyprien Godebsky, Dance, Dance Hall culture, dead poets, Deadent Literature, Decadence, Decadent Literature, Decadent Poetry, Desbordes-Valmore, Edward Kulemin, Elizabeth Birdsall, English Romanticism, Eugène Sue, Evadamism, Evadamists, Experimental Translation, Faustin Betbedder, Feminism, Fernand Clerget, Francis Vielé-Griffin, French Romanticism, Frenetic Romanticism, Gautier, Georges d Heylli, Georges d'Heyli, Georges dHeylli, Gerard de Nerval, Gleb Kolomiets, Gustave Karr, Gustave Morne, H.P. Lovecraft, Historiography, homophonic translation, Hydropathes, intellectual history, J.Grand-Carteret, Jack Foley, Jeune-France, Jeunes-France, Jeunes-Frances, Jim Leftwich, John Everett Millais, Journal, Léocadie Penquer, Léon Valade, lexicography, lexiography, Liberalism, linguistics, literary history, Lithographs, Lovecraft, Lucien Rigaut, Madame Tastu, Mapah Ganneau, Marceline Desbordes-Valmore, Marquis de Sade, Maurice Rollinat, Michael Dec, Michael Helsem, Monte-Naken, Neo-Classicism, Nina de Callias, Nina de Villard de Callias, O'Neddy, Olchar E. Lindsann, Olchar Lindsann, orthography, Parnasse Contemporain, Parnassianism, Petit-Cénacle, Philothée O'Neddy, Poetic Hacks, Poetics, Poetry, Political Discourse, Princess de Salm-Dyke, Prison System, Privat d'Anglemont, Prosper Lissagaray, radical historiography, radical history, Radical Politics, Raymond E. André III, Revenant Editions, Revolution, Roger de Beauvoir, Romanticism, Sacrilage, Saint-Simonianism, Saint-Simonians, Saint-Simonism, Saint-Simonists, Sapeck, Satire, slang, socialism, Symbolist Literature, Symbolist Movement, Syndicalism, synthetic languages, Théophile Dondey, Théophile Gautier, The German Princess, The Mapah, Theophile O'Neddy, Thomas Hood, underground publishing, Utopian Socialism, Volapuk, zine, zine history | 1 Comment

Liberté, Vol. IV: 1865-1905 –– ed. Olchar E. Lindsann

Posted on December 5, 2019 by monoclelash

The Liberté readers were prepared specially for use in the multidisciplinary course Liberté: France’s Impact on the Nineteenth Century, led by Olchar Lindsann & Brian Counihan at Community High School in Roanoke, Virginia. Comprised entirely of texts available in the public … Continue reading →

Posted in Uncategorized | Tagged Adolphe Thiers, Anarchism, Anthology, avant-garde history, Émile Hennequin, Communism, dead poets, Deadent Literature, Decadence, Decadent Poetry, Dreyfus Affair, Emile Zola, Ephraïm Mikhaël, Ephraim Mikhael, Ernest A. Visitelly, Fourierism, Frances Willard, French Revolution, French Romanticism, Friedrich Engels, Gautier, Goëthe, Guy de Maupassant, Henri Beyle, Historiography, Hugo, intellectual history, Jean Richepin, Jean-Jacques Rousseau, Joris-Karl Huysmans, Judith Gautier, Jules Verne, Karl Marx, L.S. Bevington, Liberalism, literary history, Lonsdon Hale, Louis Bonaparte, Mallarmé, Mallarme, Marie Curie, Marx, Maupassant, Maurice Rollinat, Max Nordau, Napoleon III, Naturalism, Nihilism, Octave Mirbeau, Olchar E. Lindsann, Olchar Lindsann, Paul Déroulède, Pierre-Joseph Proudhon, Pietr Kropotkin, Political Discourse, Prosper Lissagaray, Radical Politics, Remy de Gourmont, Revolution, Robert Sherard, Romanticism, socialism, Stéphane Mallarmé, Stephane Mallarme, Symbolism, Symbolist Literature, Symbolist Movement, Symbolist Poetry, Symbolists, Syndicalism, Théophile Gautier, William Eihoff, William J. Robertson | Leave a comment

Rêvenance, No. 3

Posted on December 4, 2019 by monoclelash

–ed. Olchar E. Lindsann Rêvenance: A Zine of Hauntings From Underground Histories is the flagship journal of the Revenant Editions series, dedicated to the forgotten or untold histories of 19th Century avant-garde and other countercultures. It includes essays, translations, and … Continue reading →

Posted in Uncategorized | Tagged 19th Century Avant-Garde, Achille Devéria, Agnes Lee, Alboize de Pujol, Alphonse Allais, Amable Tastu, Amateur Press, Art Rat Studios, Asemia, Asemic Writing, Auguste Maquet, Augustus Mac-Keat, avant-garde history, Baudelaire, Blasphemy, Bohemia, Bohemianism, Bousingots, Bouzingo, Bouzingos, British Romanticism, Charles Baudelaire, Charles Nodier, Chat Noir, Chronicle, constructed languages, correspondence, crime, Dartington, Dartington College of Arts, de Sade, dead poets, Decadence, Discipline and Punish, Education, English Romanticism, Experimental Translation, French Romanticism, Gautier, Gérard de Nerval, Gerard de Nerval, Gustave Karr, Historiography, homophonic translation, Hydropathes, Incoherents, intellectual history, Jeune-France, Jeunes-France, Jeunes-Frances, Jim Leftwich, John Thursday, Journal, Kohoutenberg Institute, Libertinism, literary history, Lithographs, Lithography, Madame Tastu, Marquis de Sade, Monte-Naken, Mr. Thursday, Olchar E. Lindsann, Olchar Lindsann, Parnassianism, Pedagogy, Performance, Performance Art, Performance Documentation, Performance Poetry, Petit-Cénacle, Petit-Cenacle, Philothée ONeddy, Philothee ONeddy, Poetics, Poetry, Prison System, progressive education, radical historiography, radical history, radical pedagogy, Radical Politics, Retorico Unentesi, Revenant Editions, Roanoke, Roanoke Post-NeoAbsurdism, Romanticism, Sam Richards, Satire, Théophile Dondey, Théophile Gautier, The Incoherents, Theophile Dondey, Theophile Gautier, Thomas Hood, Transduction, underground publishing, Utopia, Washington, zine, zine history | Leave a comment

The Ecstatic Nerve: Speculations on Some Dubious Subjects –– by Olchar E. Lindsann

Posted on December 3, 2019 by monoclelash

From one perspective, a programme for a radicalized practice of Thought; from another perspective, a fractured history of certain 19th and 20th Century avant-gardes; from yet another perspective, an experiment in utopian historiography. Or possibly a meticulously researched speculative novel. … Continue reading →

Posted in Uncategorized | Tagged 19th Century Avant-Garde, Alternate History, Anarchist Poetics, Anti-Gothic, avant-garde, avant-garde history, avant-garde poetry, avantgarde, Baroness Elsa, Blasphemy, Bohemia, Bohemianism, Bousingots, Bouzingo, Bouzingos, British Romanticism, Chaos Magic, Comte de Lautréamont, Critical Theory, Dada, Dadaism, Dartington, dead poets, Deadent Literature, Decadence, Decadent Poetry, English Romanticism, French Romanticism, Frenetic Romanticism, Gerard de Nerval, Hermeticism, Historical Fiction, Historiography, intellectual history, Isadore Ducasse, Kurt Schwitters, Lautréamont, Lautreamont, Literary criticism, literary history, Literary Theory, Mallarmé, Mallarme, mysticism, Mythology, occultism, Olchar E. Lindsann, Olchar Lindsann, Petrus Borel, Posthumous Collaboration, Romanticism, Situationism, Stéphane Mallarmé, Stephane Mallarme, Surrealism, Symbolism, Symbolist Literature, Symbolist Movement, Symbolist Poetry, Symbolists, weird fiction, Yellow Sign | 2 Comments

Rêvenance, No. 2

Posted on December 2, 2019 by monoclelash

Posted in Uncategorized | Tagged abolitionism, Albert Sérieys, Alphonse Allais, Anti-Racism, Arthur Cravan, Asemia, Asemic Writing, avant-garde history, black composer, black musician, Black Musicians, Bohême Doyenné, Bohemia, Bohemianism, Bousingots, Bouzingo, Bouzingos, Casimir Malevich, Charles Nodier, Charles Whitehead, Charles-Henry Hirsch, Chat Noir, Chevalier de Saint-Georges, civil rights, collaborative writing, constructed languages, correspondence, crime, Critical Theory, Dada, dead poets, Decadence, Decadent Literature, Decadent Poetry, Desbordes-Valmore, Elizabeth Birdsall, Experimental Translation, Feminism, Fernand Clerget, Francis Vielé-Griffin, French Revolution, French Romanticism, Frenetic Romanticism, Gleb Kolomiets, Gustave Karr, Historiography, History of Race, homophonic translation, Hydropathes, Incoherents, intellectual history, Ivan Gilkin, Jeunes-France, John Payne, Journal, Léon Gozlan, literary history, Marceline Desbordes-Valmore, Olchar E. Lindsann, Olchar Lindsann, Posthumous Collaboration, radical historiography, radical history, Radical Politics, Raymond E. André III, Revenant Editions, Roger de Beauvoir, Romanticism, Satire, Symbolist Literature, Symbolist Movement, The German Princess, The Incoherents, Transduction, writing games, zine | Leave a comment

Avant the Avant-Garde: Childhood and Family in the Culture of the Avant-Garde –– compiled by Olchar E. Lindsann.

Posted on December 2, 2019 by monoclelash

Childhood and family are rarely highlighted in discussions of, by, or about the avant-garde; this exploratory investigation takes the form of hundreds of short passages gleaned from memoirs, letters, poems, and autobiographical works of avant-gardists from the past 200+ years, … Continue reading →

Posted in Uncategorized | Tagged Anthology, avant-garde, avant-garde poetry, avantgarde, Cubism, Dada, Dadaism, Decadence, Futurism, Historiography, lettrism, literary history, Olchar E. Lindsann, Olchar Lindsann, Parnassianism, Romanticism, Situationism, Surrealism, Symbolist Movement, Symbolists | Leave a comment